<p>There’s a common theme in this month’s collection of website design trends – typography. All three of these trends showcase popular type elements that seem to be exploding in popularity.</p> <p>Here’s what’s trending in design this month.</p>
<h1>1. Focus on Typography</h1>
<p>Admittedly this trend seems a little vague, but we think you’ll know it when you see it. Plenty of projects are being designed with an emphasis on typography.</p>
<p>This includes big, bold lettering, interesting typefaces, big variances in size or color, tiny type animations, and an overall stripping of strong imagery from the screen. You won’t see many photos or videos here (and if you do, they are probably small). </p>
<p>After that, almost anything is allowed. And the designs are quite stunning!</p>
<p>These projects include all kinds of typography, from experimental to bold. (You can even find it in the new typography animation in the new design for this website in the homepage banner.)</p>
<p>Here are three examples of three very different directions on this website design trend:</p>
<p><a href=”https://igzist-gg.com/” target=”_blank” rel=”noreferrer noopener”>IGZIST</a> combines an oversized slab serif with a handwriting style that takes the whole screen. With a black-and-white aesthetic and red accent, everything has an in-your-face feel. There’s a glitch animation that also layers on top of everything to keep it interesting. </p>
<figure><a href=”https://igzist-gg.com/” target=”_blank” rel=”noreferrer noopener”><img src=”/assets/posts/inline/igz.jpg” alt=”IGZIST” /></a></figure>
<p><a href=”https://contrabureau.com/” target=”_blank” rel=”noreferrer noopener”>Contra Bureau</a> combines a too-close-for-comfort headline in “CONTRA” with sideways text, a sub-headline with underlines, and multiple typefaces in a bold red and beige color scheme to make you hang on to every word. Immense contrast in style and size contribute to the effectiveness of this typographic gem. </p>
<figure><a href=”https://contrabureau.com/” target=”_blank” rel=”noreferrer noopener”><img src=”/assets/posts/inline/contra.jpg” alt=”Contra Bureau” /></a></figure>
<p><a href=”https://readymag.com/no-code-website-builder-designers” target=”_blank” rel=”noreferrer noopener”>Readymag</a> uses an interesting typeface in a color variable animation to make you ready and get your attention. The green-on-white pattern isn’t common and is a bit of a disruptor in itself. The most graphic elements on the screen are the navigation buttons and the brackets for small text elements.</p>
<figure><a href=”https://readymag.com/no-code-website-builder-designers” target=”_blank” rel=”noreferrer noopener”><img src=”/assets/posts/inline/readymag.jpg” alt=”Readymag” /></a></figure>
<h1>2. Heroes with Very Little Text<br /></h1>
<p>This typography trend actually includes very little text. Many designers are creating hero headers with almost no text at all aside from simple navigation. </p>
<p>How does this work? How does a user engage when there isn’t anything to read?</p>
<p>The images have to be super engaging. And even then, this design style can still be a risk. Look at the examples below; is there enough to make you click or scroll?</p>
<p><a href=”https://mathijshanenkamp.com/” target=”_blank” rel=”noreferrer noopener”>Mathijs Hanenkamp’s portfolio site</a> uses a big photo with a small headline in the bottom left corner. But there’s an interesting top layer with animation that makes you think are little more. Then when you realize it is for a photographer’s portfolio, everything kind of comes together. </p>
<figure><a href=”https://mathijshanenkamp.com/” target=”_blank” rel=”noreferrer noopener”><img src=”/assets/posts/inline/mathus.jpg” alt=”Mathijs HanenKamp” /></a></figure>
<p><a href=”https://www.abyachts.com/en” target=”_blank” rel=”noreferrer noopener”>AB Yachts</a> has no text on the home hero besides the name brand. If you know the company, the video is probably enough to keep you going, but if not, it could be more of a stretch for unfamiliar users to continue engaging. </p>
<figure><a href=”https://www.abyachts.com/en” target=”_blank” rel=”noreferrer noopener”><img src=”/assets/posts/inline/ab.jpg” alt=”AB Yachts” /></a></figure>
<p><a href=”https://edelwerke.org/” target=”_blank” rel=”noreferrer noopener”>Edlewerke</a> focuses on an unusual image (there’s also a tiny animation here) and navigation to help you move through the site. It’s visually striking, but is it enough? Tracking analytics on a design like this would definitely hold the answer to that question.<br /></p>
<figure><a href=”https://edelwerke.org/” target=”_blank” rel=”noreferrer noopener”><img src=”/assets/posts/inline/elelwerke.jpg” alt=”Edlewerke” /></a></figure>
<h1>3. Serifs Everywhere</h1>
<p>For designers that came up in the world of print, this website design trend can be a breath of fresh air – serifs everywhere!</p>
<p>While serifs have become much more common with websites, they still don’t come close to the usage of sans serifs. The right serifs can be beautiful and highly readable. </p>
<p>They can also be used in various ways to create a design with a nice focus on typography that isn’t the only focus of the design. This trend is more of a middle ground between the two more extreme examples above. </p>
<p><a href=”https://momset.store/” target=”_blank” rel=”noreferrer noopener”>Momset</a> uses a somewhat larger condensed modern serif for the primary headline in the hero area as well as other headers throughout the design. Color adds an extra element of interest here, and the use of space keeps this typeface readable. </p>
<figure><a href=”https://momset.store/” target=”_blank” rel=”noreferrer noopener”><img src=”/assets/posts/inline/momset.jpg” alt=”Momset” /></a></figure>
<p><a href=”https://mbauisland.com/” target=”_blank” rel=”noreferrer noopener”>Mbau</a> goes super simple with a full-screen video that rolls behind a simple serif headline that never moves. This design feels elegant and classy, perfect for a travel site. Using “exclusive” in italics almost jumps off the screen because the design pulsates with that feeling. </p>
<figure><a href=”https://mbauisland.com/” target=”_blank” rel=”noreferrer noopener”><img src=”/assets/posts/inline/mbau.jpg” alt=”Mbau” /></a></figure>
<p><a href=”https://caddislife.com/” target=”_blank” rel=”noreferrer noopener”>Caddis Eye Appliances</a> uses a large serif headline and subheaders balanced by smaller sans serif elements for other text elements. What’s fun about his entire design is that it is about being different – they use the term “nonconformists” – and the serif helps exemplify that mantra visually.<br /></p>
<figure><a href=”https://caddislife.com/” target=”_blank” rel=”noreferrer noopener”><img src=”/assets/posts/inline/caddis.jpg” alt=”Caddis Eye Appliances” /></a></figure>
<h1>Conclusion</h1>
<p>Typography trends are an exciting design element because, depending on your brand – and style guide – you may or may not be able to take advantage of these elements. How do you balance incorporating a trend and maintaining brand identity? </p>
<p>There’s not always an obvious answer, but many brands do find a way to create just the right elements to keep themselves looking fresh without losing who they are. Look at your brand rules to decide what constraints you have to work within and how you can bend to be both on-brand and on-trend. </p>