Each month we publish this roundup of the best new fonts for designers to help you find new ways of packing personality into your designs.

In October’s edition, you’ll find a number of revivals and a ton of vintage inspiration, all wrapped up with a modern twist. After years of geometric sans-serifs, a few decorative flourishes are more than welcome. Enjoy!

The Future

The Future and its accompanying monospace The Future Mono is a homage to the classic Futura. The Future is a great revision of classic forms, and The Future Mono is a blend of Western Modernism and Japanese typographic styles.

Rapidissima

Rapida and Rapidissima began as part of a master’s course at the Royal Academy of Art in Den Haag. While Rapida is a careful, usable serif with lots of thoughtful details, Rapidissima is a visually exciting exploration of speed.

Aiglon

Aiglon is a pseudo-geometrics sans-serif with beautiful proportions. It draws inspiration from 20th-century architectural lettering. It’s a tremendous alternative to Gotham for those looking for a more European aesthetic.

Raskal Oner Write

Raskal Oner Write is a script font for designers that don’t want a script font. All of the classic feel of handwritten letters is here, but the construction is entirely original. Contextual alternatives combine to create the visual look of lettering.

Grostino

Grostino is an elegant display typeface. The enormous contrast in width between its rounded glyphs and its square glyphs adds enormous personality. It’s ideal for branding projects that need to evoke classicism.

Figtree

Figtree is a highly usable sans-serif packed with practical features, including fractions, monospaced numbers, and scientific inferiors. It’s both minimal and friendly, making it an ideal choice for corporate design systems. It’s free to download.

Gills & Co

Gills & Co is a modern serif that draws inspiration from Art Nouveau to create beautiful finials and ligatures. It works really well as a logotype and for packaging.

Catalog

Catalog is a sturdy, easy-to-use serif with thick slab serifs. It has a simplified shape and is easily readable on lower-resolution screens. It features an unusual lowercase g, which adds visual interest to passages of text.

Kreol Display

Kreol Display is a didone typeface with some interesting details that raise it above similar designs. The lowercase ‘a’ and the uppercase ‘R’ are particularly pleasing.

Gwen

Gwen is a typeface family that includes a highly characteristic display face and a more subtle text face. There are seven different weights, and it is available as a variable font.

Benogi

Benogi is a display font run through with wave-like forms. The ’70s aesthetic is continued in the proportion of the glyphs. It’s a great option for health and beauty product branding.

Marcin Antique

Marcin Antique is inspired by early French grotesque typefaces. It has just been reissued with new widths, additional weights, and redrawn italics, making it an even more usable sans-serif.

VVDS The Dickens Tale

It’s horrifying to say it, but yes, the holiday season is just weeks away. If you’re preparing marketing material with a heritage feel, then check out The Dickens Tale, it’s as classic as candy canes and Peanuts reruns.

Povetarac Sans

Povetarac Sans is a workhorse of a sans-serif that performs well as both display and running text. Inspired by vintage designs, it comes with six weights and supports fractions.

Blothe

Blothe is a fabulously chunky display face that is drawn wide, thick, and rounded. Use it at huge sizes to make the most of its weighty presence.

Source

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